Research Article
Year 2025,
Volume: 12 Issue: 22, 389 - 406, 30.06.2025
Abstract
This paper explores how the Apple Original Series Severance employs the aesthetics of backrooms and liminal spaces to critique modern office work and the alienation experienced by white-collar employees. Drawing from online liminal aesthetics, video games and theoretical perspectives on capitalism, the show presents a dystopian corporate environment where workers are psychologically and physically severed from their personal identities. Using the poetics of David Bordwell and neoformalist analysis of Kristin Thompson, the study examines Severance’s classical yet subversive narrative structure, its use of restricted narration, and its manipulation of space and time to enhance thematic depth. The paper further explores the show’s visual style, characterized by corporate minimalism, cassette futurism, and geometric compositions that reinforce the sterility and dehumanization of the workplace. Beyond its aesthetic and formal properties, Severance functions as a critique of late-stage capitalism, workplace alienation and ideological control. By severing employees’ identities, the show literalizes the compartmentalization demanded by corporate culture, reflecting the real-world erosion of work-life boundaries. The show’s depiction of arbitrary labor, hierarchical secrecy, and corporate propaganda parallels historical critiques of capitalist labor structures while offering a stark vision of a workforce deprived of agency. Ultimately, the paper argues that Severance is not only a stylistic exercise in liminal mystery but also a powerful cultural reflection on contemporary labor conditions. Its engagement, with both narrative and visual elements, underscores a broader social anxiety about the meaninglessness of work, the psychological toll of corporate control, and the possibility of resistance in an era of pervasive economic alienation.
References
- Badowski, A. (Director). (2020). Cyberpunk 2077 [Action, Crime, Drama]. CD Projekt RED.
- Badowski, A. (Director). (2020). Cyberpunk 2077 [Action, Crime, Drama]. CD Projekt RED.
- Bordwell, D. (2008). Poetics of cinema. New York, NY: Routledge.
- Bordwell, D. (2008). Poetics of cinema. New York, NY: Routledge.
- Cassette Futurism. (n.d.). Retrieved January 30, 2025, from TV Tropes website: https://tvtropes.org/pmwiki/pmwiki.php/Main/CassetteFuturism
- Cassette Futurism. (n.d.). Retrieved January 30, 2025, from TV Tropes website: https://tvtropes.org/pmwiki/pmwiki.php/Main/CassetteFuturism
- Cullen, Z. B., & Perez-Truglia, R. (2018, October). The Salary Taboo: Privacy Norms and the Diffusion of Information [Working Paper]. National Bureau of Economic Research. https://doi.org/10.3386/w25145
- Cullen, Z. B., & Perez-Truglia, R. (2018, October). The Salary Taboo: Privacy Norms and the Diffusion of Information [Working Paper]. National Bureau of Economic Research. https://doi.org/10.3386/w25145
- Dilbert [Animation, Comedy]. (1999). United Media Productions, United Feature Syndicate (UFS), Adelaide Productions.
- Dilbert [Animation, Comedy]. (1999). United Media Productions, United Feature Syndicate (UFS), Adelaide Productions.
- Disco Elysium [Comedy, Crime, Drama]. (2019). Za/Um.
- Disco Elysium [Comedy, Crime, Drama]. (2019). Za/Um.
- Doc_Hersh3y. (2021, September 7). Food costs ya know [Reddit Post]. Retrieved January 30, 2025, from R/technicallythetruth website: www.reddit.com/r/technicallythetruth/comments/pjjceb/food_costs_ya_know/
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- Gilliam, T. (Director). (1985). Brazil [Drama, Sci-Fi, Thriller]. Embassy International Pictures.
- Gilliam, T. (Director). (1985). Brazil [Drama, Sci-Fi, Thriller]. Embassy International Pictures.
- Gondry, M. (Director). (2004). Eternal Sunshine of the Spotless Mind [Drama, Romance, Sci-Fi]. Focus Features, Anonymous Content, This Is That Productions.
- Gondry, M. (Director). (2004). Eternal Sunshine of the Spotless Mind [Drama, Romance, Sci-Fi]. Focus Features, Anonymous Content, This Is That Productions.
- Jameson, F. (1991). Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press. https://doi.org/10.2307/j.ctv12100qm
- Jameson, F. (1991). Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press. https://doi.org/10.2307/j.ctv12100qm
- Judge, M. (Director). (1999). Office Space [Comedy]. Twentieth Century Fox, 3 Arts Entertainment, Cubicle Inc.
- Judge, M. (Director). (1999). Office Space [Comedy]. Twentieth Century Fox, 3 Arts Entertainment, Cubicle Inc.
- Kassem, S. (2023). Work and Alienation in the Platform Economy: Amazon and the Power of Organization (1st ed.). Bristol University Press. https://doi.org/10.2307/jj.455862
- Kassem, S. (2023). Work and Alienation in the Platform Economy: Amazon and the Power of Organization (1st ed.). Bristol University Press. https://doi.org/10.2307/jj.455862
- Kerrigan, L. (Director). (1998). Claire Dolan [Drama]. MK2 Productions, Serene Films.
- Kerrigan, L. (Director). (1998). Claire Dolan [Drama]. MK2 Productions, Serene Films.
- Kornits, D. (2022, February 17). Ben Stiller and Adam Scott: Eternal Sunshine of the Severed Mind. Retrieved January 30, 2025, from FilmInk website: https://www.filmink.com.au/ben-stiller-and-adam-scott-eternal-sunshine-of-the-severed-mind/
- Kornits, D. (2022, February 17). Ben Stiller and Adam Scott: Eternal Sunshine of the Severed Mind. Retrieved January 30, 2025, from FilmInk website: https://www.filmink.com.au/ben-stiller-and-adam-scott-eternal-sunshine-of-the-severed-mind/
- Orwell, G., & Fromm, E. (1961). 1984: 75th Anniversary. Québec: Signet Classic.
- Orwell, G., & Fromm, E. (1961). 1984: 75th Anniversary. Québec: Signet Classic.
- Ozu, Y. (Director). (1972). Early Summer [Comedy, Drama, Romance]. Shochiku.
- Ozu, Y. (Director). (1972). Early Summer [Comedy, Drama, Romance]. Shochiku.
- Patston, M. (2022, November 23). The Backrooms: An eerie phenomenon lies behind these familiar hallways. Retrieved January 30, 2025, from Happy Mag website: https://happymag.tv/what-are-the-backrooms/
- Patston, M. (2022, November 23). The Backrooms: An eerie phenomenon lies behind these familiar hallways. Retrieved January 30, 2025, from Happy Mag website: https://happymag.tv/what-are-the-backrooms/
- Petersen, A. H. (2022, April 6). The Feast of Severance [Substack newsletter]. Retrieved January 30, 2025, from Culture Study website: https://annehelen.substack.com/p/the-feast-of-severance
- Petersen, A. H. (2022, April 6). The Feast of Severance [Substack newsletter]. Retrieved January 30, 2025, from Culture Study website: https://annehelen.substack.com/p/the-feast-of-severance
- Sartre, J.-P. (1989). No Exit and Three Other Plays (Reissue edition; S. Gilbert, Trans.). New York: Vintage.
- Sartre, J.-P. (1989). No Exit and Three Other Plays (Reissue edition; S. Gilbert, Trans.). New York: Vintage.
- Severance [Drama, Mystery, Sci-Fi]. (2022). Fifth Season, Red Hour Films.
- Severance [Drama, Mystery, Sci-Fi]. (2022). Fifth Season, Red Hour Films.
- “Severance” is the sci-fi thriller every office worker needs—Here’s why. (2022, February 24). Retrieved January 30, 2025, from Inverse website: https://www.inverse.com/entertainment/severance-apple-tv-plus-interview-dan-erickson-ben-stiller-adam-scott
- “Severance” is the sci-fi thriller every office worker needs—Here’s why. (2022, February 24). Retrieved January 30, 2025, from Inverse website: https://www.inverse.com/entertainment/severance-apple-tv-plus-interview-dan-erickson-ben-stiller-adam-scott
- Shortt, H. (2015). Liminality, space and the importance of ‘transitory dwelling places’ at work. Human Relations, 68(4), 633–658. https://doi.org/10.1177/0018726714536938
- Shortt, H. (2015). Liminality, space and the importance of ‘transitory dwelling places’ at work. Human Relations, 68(4), 633–658. https://doi.org/10.1177/0018726714536938
- Staff, M. G. G., February 16, U., 2022, & Comments3, 3:09 p m Share on Facebook Share on TwitterView. (n.d.). In the sci-fi thriller ‘Severance,’ to halve or halve not—The Boston Globe. Retrieved January 30, 2025, from BostonGlobe.com website: https://www.bostonglobe.com/2022/02/16/arts/sci-fi-thriller-severance-halve-or-halve-not/
- Staff, M. G. G., February 16, U., 2022, & Comments3, 3:09 p m Share on Facebook Share on TwitterView. (n.d.). In the sci-fi thriller ‘Severance,’ to halve or halve not—The Boston Globe. Retrieved January 30, 2025, from BostonGlobe.com website: https://www.bostonglobe.com/2022/02/16/arts/sci-fi-thriller-severance-halve-or-halve-not/
- Tati, J. (Director). (1973). Playtime [Comedy]. Specta Films, Jolly Film.
- Tati, J. (Director). (1973). Playtime [Comedy]. Specta Films, Jolly Film.
- Thompson, K. (1988). Breaking the Glass Armor. Princeton University Press.
- Thompson, K. (1988). Breaking the Glass Armor. Princeton University Press.
- Varda, A. (Director). (1986). Sans toit ni loi [Drama]. Ciné-tamaris, Films A2, Ministère de la Culture.
- Varda, A. (Director). (1986). Sans toit ni loi [Drama]. Ciné-tamaris, Films A2, Ministère de la Culture.
- Vincentelli, E. (2022, April 26). What ‘Severance’ Is Made of: ‘Being John Malkovich’ and a Sizzler Steakhouse. The New York Times. Retrieved from https://www.nytimes.com/2022/04/26/arts/severance-apple-tv.html
- Vincentelli, E. (2022, April 26). What ‘Severance’ Is Made of: ‘Being John Malkovich’ and a Sizzler Steakhouse. The New York Times. Retrieved from https://www.nytimes.com/2022/04/26/arts/severance-apple-tv.html
- Weir, P. (Director). (1998). The Truman Show [Comedy, Drama]. Paramount Pictures, Scott Rudin Productions.
- Weir, P. (Director). (1998). The Truman Show [Comedy, Drama]. Paramount Pictures, Scott Rudin Productions.
- Wreden, D. (Director). (2013). The Stanley Parable [Comedy, Fantasy, Mystery]. Galactic Cafe.
- Wreden, D. (Director). (2013). The Stanley Parable [Comedy, Fantasy, Mystery]. Galactic Cafe.
- Yilmaz, M. B., Lotman, E., Karjus, A., & Tikka, P. (2023). An embodiment of the cinematographer: Emotional and perceptual responses to different camera movement techniques. Frontiers in Neuroscience, 17, 1160843. https://doi.org/10.3389/fnins.2023.1160843
- Yilmaz, M. B., Lotman, E., Karjus, A., & Tikka, P. (2023). An embodiment of the cinematographer: Emotional and perceptual responses to different camera movement techniques. Frontiers in Neuroscience, 17, 1160843. https://doi.org/10.3389/fnins.2023.1160843
- Zacharias, R. (2022). Dan Erickson Talks Work/ Life Balance In ‘Severance.’ Retrieved January 30, 2025, from Creative Screenwriting website: https://www.creativescreenwriting.com//dan-erickson-talks-work-life-balance-in-severance
- Zacharias, R. (2022). Dan Erickson Talks Work/ Life Balance In ‘Severance.’ Retrieved January 30, 2025, from Creative Screenwriting website: https://www.creativescreenwriting.com//dan-erickson-talks-work-life-balance-in-severance
- Zizek, S. (1997). Multiculturalism, or, the Cultural Logic of Multinational Capitalism. New Left Review, (I/225), 28–51.
- Zizek, S. (1997). Multiculturalism, or, the Cultural Logic of Multinational Capitalism. New Left Review, (I/225), 28–51.
- Žižek, S. (2008). The Sublime Object of Ideology. London New York: Verso.
- Žižek, S. (2008). The Sublime Object of Ideology. London New York: Verso.
- Zizek, S. (2009). The Plague of Fantasies (Second Edition). London: Verso.
- Zizek, S. (2009). The Plague of Fantasies (Second Edition). London: Verso.
- Žižek, S. (2018). Living in the end times (Paperback edition). London New York: Verso.
- Žižek, S. (2018). Living in the end times (Paperback edition). London New York: Verso.
Year 2025,
Volume: 12 Issue: 22, 389 - 406, 30.06.2025
Abstract
Bu makale, Apple Orijinal Dizisi Severance'ın modern ofis işlerini ve beyaz yakalı çalışanların yaşadığı yabancılaşmayı eleştirmek için arka odaların ve liminal alanların estetiğini nasıl kullandığını araştırıyor. Çevrimiçi liminal estetikten, video oyunlarından ve kapitalizm üzerine teorik perspektiflerden yararlanan dizi, çalışanların kişisel kimliklerinden psikolojik ve fiziksel olarak koparıldığı distopik bir şirket ortamı sunuyor. David Bordwell'in şiirselliğini ve Kristin Thompson'ın neoformalist analizini kullanan bu çalışma, Severance'ın klasik ancak yıkıcı anlatı yapısını, kısıtlı anlatım kullanımını ve tematik derinliği artırmak için mekân ve zaman manipülasyonunu inceliyor. Çalışma ayrıca, gösterinin kurumsal minimalizm, kaset fütürizmi ve işyerinin sterilliğini ve insanlıktan çıkarılmasını pekiştiren geometrik kompozisyonlarla karakterize edilen görsel stilini de inceliyor. Severance, estetik ve biçimsel özelliklerinin ötesinde, geç dönem kapitalizminin, işyerinde yabancılaşmanın ve ideolojik kontrolün bir eleştirisi olarak işlev görüyor. Çalışanların kimliklerini parçalara ayıran dizi, şirket kültürünün talep ettiği bölümlere ayırmayı gerçekçi bir şekilde ifade ederek, iş-yaşam sınırlarının gerçek dünyadaki erozyonunu yansıtıyor. Dizinin keyfi çalışma, hiyerarşik gizlilik ve şirket propagandası tasviri, kapitalist emek yapılarının tarihsel eleştirileriyle paralellik gösterirken, eylemlilikten yoksun bir işgücünün keskin bir vizyonunu sunuyor. Sonuç olarak bu makale, Severance'ın sadece liminal gizemde biçimsel bir egzersiz değil, aynı zamanda çağdaş çalışma koşulları üzerine güçlü bir kültürel yansıma olduğunu savunmaktadır. Hem anlatı hem de görsel unsurlarla olan ilişkisi, işin anlamsızlığı, şirket kontrolünün psikolojik bedeli ve yaygın ekonomik yabancılaşma çağında direniş olasılığı hakkında daha geniş bir sosyal kaygının altını çiziyor.
References
- Badowski, A. (Director). (2020). Cyberpunk 2077 [Action, Crime, Drama]. CD Projekt RED.
- Badowski, A. (Director). (2020). Cyberpunk 2077 [Action, Crime, Drama]. CD Projekt RED.
- Bordwell, D. (2008). Poetics of cinema. New York, NY: Routledge.
- Bordwell, D. (2008). Poetics of cinema. New York, NY: Routledge.
- Cassette Futurism. (n.d.). Retrieved January 30, 2025, from TV Tropes website: https://tvtropes.org/pmwiki/pmwiki.php/Main/CassetteFuturism
- Cassette Futurism. (n.d.). Retrieved January 30, 2025, from TV Tropes website: https://tvtropes.org/pmwiki/pmwiki.php/Main/CassetteFuturism
- Cullen, Z. B., & Perez-Truglia, R. (2018, October). The Salary Taboo: Privacy Norms and the Diffusion of Information [Working Paper]. National Bureau of Economic Research. https://doi.org/10.3386/w25145
- Cullen, Z. B., & Perez-Truglia, R. (2018, October). The Salary Taboo: Privacy Norms and the Diffusion of Information [Working Paper]. National Bureau of Economic Research. https://doi.org/10.3386/w25145
- Dilbert [Animation, Comedy]. (1999). United Media Productions, United Feature Syndicate (UFS), Adelaide Productions.
- Dilbert [Animation, Comedy]. (1999). United Media Productions, United Feature Syndicate (UFS), Adelaide Productions.
- Disco Elysium [Comedy, Crime, Drama]. (2019). Za/Um.
- Disco Elysium [Comedy, Crime, Drama]. (2019). Za/Um.
- Doc_Hersh3y. (2021, September 7). Food costs ya know [Reddit Post]. Retrieved January 30, 2025, from R/technicallythetruth website: www.reddit.com/r/technicallythetruth/comments/pjjceb/food_costs_ya_know/
- Doc_Hersh3y. (2021, September 7). Food costs ya know [Reddit Post]. Retrieved January 30, 2025, from R/technicallythetruth website: www.reddit.com/r/technicallythetruth/comments/pjjceb/food_costs_ya_know/
- Gilliam, T. (Director). (1985). Brazil [Drama, Sci-Fi, Thriller]. Embassy International Pictures.
- Gilliam, T. (Director). (1985). Brazil [Drama, Sci-Fi, Thriller]. Embassy International Pictures.
- Gondry, M. (Director). (2004). Eternal Sunshine of the Spotless Mind [Drama, Romance, Sci-Fi]. Focus Features, Anonymous Content, This Is That Productions.
- Gondry, M. (Director). (2004). Eternal Sunshine of the Spotless Mind [Drama, Romance, Sci-Fi]. Focus Features, Anonymous Content, This Is That Productions.
- Jameson, F. (1991). Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press. https://doi.org/10.2307/j.ctv12100qm
- Jameson, F. (1991). Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press. https://doi.org/10.2307/j.ctv12100qm
- Judge, M. (Director). (1999). Office Space [Comedy]. Twentieth Century Fox, 3 Arts Entertainment, Cubicle Inc.
- Judge, M. (Director). (1999). Office Space [Comedy]. Twentieth Century Fox, 3 Arts Entertainment, Cubicle Inc.
- Kassem, S. (2023). Work and Alienation in the Platform Economy: Amazon and the Power of Organization (1st ed.). Bristol University Press. https://doi.org/10.2307/jj.455862
- Kassem, S. (2023). Work and Alienation in the Platform Economy: Amazon and the Power of Organization (1st ed.). Bristol University Press. https://doi.org/10.2307/jj.455862
- Kerrigan, L. (Director). (1998). Claire Dolan [Drama]. MK2 Productions, Serene Films.
- Kerrigan, L. (Director). (1998). Claire Dolan [Drama]. MK2 Productions, Serene Films.
- Kornits, D. (2022, February 17). Ben Stiller and Adam Scott: Eternal Sunshine of the Severed Mind. Retrieved January 30, 2025, from FilmInk website: https://www.filmink.com.au/ben-stiller-and-adam-scott-eternal-sunshine-of-the-severed-mind/
- Kornits, D. (2022, February 17). Ben Stiller and Adam Scott: Eternal Sunshine of the Severed Mind. Retrieved January 30, 2025, from FilmInk website: https://www.filmink.com.au/ben-stiller-and-adam-scott-eternal-sunshine-of-the-severed-mind/
- Orwell, G., & Fromm, E. (1961). 1984: 75th Anniversary. Québec: Signet Classic.
- Orwell, G., & Fromm, E. (1961). 1984: 75th Anniversary. Québec: Signet Classic.
- Ozu, Y. (Director). (1972). Early Summer [Comedy, Drama, Romance]. Shochiku.
- Ozu, Y. (Director). (1972). Early Summer [Comedy, Drama, Romance]. Shochiku.
- Patston, M. (2022, November 23). The Backrooms: An eerie phenomenon lies behind these familiar hallways. Retrieved January 30, 2025, from Happy Mag website: https://happymag.tv/what-are-the-backrooms/
- Patston, M. (2022, November 23). The Backrooms: An eerie phenomenon lies behind these familiar hallways. Retrieved January 30, 2025, from Happy Mag website: https://happymag.tv/what-are-the-backrooms/
- Petersen, A. H. (2022, April 6). The Feast of Severance [Substack newsletter]. Retrieved January 30, 2025, from Culture Study website: https://annehelen.substack.com/p/the-feast-of-severance
- Petersen, A. H. (2022, April 6). The Feast of Severance [Substack newsletter]. Retrieved January 30, 2025, from Culture Study website: https://annehelen.substack.com/p/the-feast-of-severance
- Sartre, J.-P. (1989). No Exit and Three Other Plays (Reissue edition; S. Gilbert, Trans.). New York: Vintage.
- Sartre, J.-P. (1989). No Exit and Three Other Plays (Reissue edition; S. Gilbert, Trans.). New York: Vintage.
- Severance [Drama, Mystery, Sci-Fi]. (2022). Fifth Season, Red Hour Films.
- Severance [Drama, Mystery, Sci-Fi]. (2022). Fifth Season, Red Hour Films.
- “Severance” is the sci-fi thriller every office worker needs—Here’s why. (2022, February 24). Retrieved January 30, 2025, from Inverse website: https://www.inverse.com/entertainment/severance-apple-tv-plus-interview-dan-erickson-ben-stiller-adam-scott
- “Severance” is the sci-fi thriller every office worker needs—Here’s why. (2022, February 24). Retrieved January 30, 2025, from Inverse website: https://www.inverse.com/entertainment/severance-apple-tv-plus-interview-dan-erickson-ben-stiller-adam-scott
- Shortt, H. (2015). Liminality, space and the importance of ‘transitory dwelling places’ at work. Human Relations, 68(4), 633–658. https://doi.org/10.1177/0018726714536938
- Shortt, H. (2015). Liminality, space and the importance of ‘transitory dwelling places’ at work. Human Relations, 68(4), 633–658. https://doi.org/10.1177/0018726714536938
- Staff, M. G. G., February 16, U., 2022, & Comments3, 3:09 p m Share on Facebook Share on TwitterView. (n.d.). In the sci-fi thriller ‘Severance,’ to halve or halve not—The Boston Globe. Retrieved January 30, 2025, from BostonGlobe.com website: https://www.bostonglobe.com/2022/02/16/arts/sci-fi-thriller-severance-halve-or-halve-not/
- Staff, M. G. G., February 16, U., 2022, & Comments3, 3:09 p m Share on Facebook Share on TwitterView. (n.d.). In the sci-fi thriller ‘Severance,’ to halve or halve not—The Boston Globe. Retrieved January 30, 2025, from BostonGlobe.com website: https://www.bostonglobe.com/2022/02/16/arts/sci-fi-thriller-severance-halve-or-halve-not/
- Tati, J. (Director). (1973). Playtime [Comedy]. Specta Films, Jolly Film.
- Tati, J. (Director). (1973). Playtime [Comedy]. Specta Films, Jolly Film.
- Thompson, K. (1988). Breaking the Glass Armor. Princeton University Press.
- Thompson, K. (1988). Breaking the Glass Armor. Princeton University Press.
- Varda, A. (Director). (1986). Sans toit ni loi [Drama]. Ciné-tamaris, Films A2, Ministère de la Culture.
- Varda, A. (Director). (1986). Sans toit ni loi [Drama]. Ciné-tamaris, Films A2, Ministère de la Culture.
- Vincentelli, E. (2022, April 26). What ‘Severance’ Is Made of: ‘Being John Malkovich’ and a Sizzler Steakhouse. The New York Times. Retrieved from https://www.nytimes.com/2022/04/26/arts/severance-apple-tv.html
- Vincentelli, E. (2022, April 26). What ‘Severance’ Is Made of: ‘Being John Malkovich’ and a Sizzler Steakhouse. The New York Times. Retrieved from https://www.nytimes.com/2022/04/26/arts/severance-apple-tv.html
- Weir, P. (Director). (1998). The Truman Show [Comedy, Drama]. Paramount Pictures, Scott Rudin Productions.
- Weir, P. (Director). (1998). The Truman Show [Comedy, Drama]. Paramount Pictures, Scott Rudin Productions.
- Wreden, D. (Director). (2013). The Stanley Parable [Comedy, Fantasy, Mystery]. Galactic Cafe.
- Wreden, D. (Director). (2013). The Stanley Parable [Comedy, Fantasy, Mystery]. Galactic Cafe.
- Yilmaz, M. B., Lotman, E., Karjus, A., & Tikka, P. (2023). An embodiment of the cinematographer: Emotional and perceptual responses to different camera movement techniques. Frontiers in Neuroscience, 17, 1160843. https://doi.org/10.3389/fnins.2023.1160843
- Yilmaz, M. B., Lotman, E., Karjus, A., & Tikka, P. (2023). An embodiment of the cinematographer: Emotional and perceptual responses to different camera movement techniques. Frontiers in Neuroscience, 17, 1160843. https://doi.org/10.3389/fnins.2023.1160843
- Zacharias, R. (2022). Dan Erickson Talks Work/ Life Balance In ‘Severance.’ Retrieved January 30, 2025, from Creative Screenwriting website: https://www.creativescreenwriting.com//dan-erickson-talks-work-life-balance-in-severance
- Zacharias, R. (2022). Dan Erickson Talks Work/ Life Balance In ‘Severance.’ Retrieved January 30, 2025, from Creative Screenwriting website: https://www.creativescreenwriting.com//dan-erickson-talks-work-life-balance-in-severance
- Zizek, S. (1997). Multiculturalism, or, the Cultural Logic of Multinational Capitalism. New Left Review, (I/225), 28–51.
- Zizek, S. (1997). Multiculturalism, or, the Cultural Logic of Multinational Capitalism. New Left Review, (I/225), 28–51.
- Žižek, S. (2008). The Sublime Object of Ideology. London New York: Verso.
- Žižek, S. (2008). The Sublime Object of Ideology. London New York: Verso.
- Zizek, S. (2009). The Plague of Fantasies (Second Edition). London: Verso.
- Zizek, S. (2009). The Plague of Fantasies (Second Edition). London: Verso.
- Žižek, S. (2018). Living in the end times (Paperback edition). London New York: Verso.
- Žižek, S. (2018). Living in the end times (Paperback edition). London New York: Verso.
There are 70 citations in total.
Details
| Primary Language | English |
|---|---|
| Subjects | Radio-Television |
| Journal Section | Articles |
| Authors | |
| Early Pub Date | June 29, 2025 |
| Publication Date | June 30, 2025 |
| Submission Date | January 30, 2025 |
| Acceptance Date | May 16, 2025 |
| Published in Issue | Year 2025 Volume: 12 Issue: 22 |
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