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Phonetic Miracle of the Qur'an

Year 2009, Volume: 11 Issue: 20, 49 - 63, 15.06.2009

Abstract

The Quran is unique in its style, phonetics, words structure and many other aspects that neverchanged thoroughout the history. One important dimension of the Quranic ijaz is to addressnot only to minds but also with its special acoustic and musicality to the ears and hearts of thelistener. The structure of the letters, their various other features have a great richness ofphonetics. Vocal harmony indicates how beautiful this harmony too. Complementarity ofsound and discourse is very well known caracteristic in the Quran. The rules of tajwid is keyterm in the recitation of the Quran. If one cannot read the Qur'an in accordance with its rulesof tajwid, many features of the Qur'anic recitation will be lost in this performance. This issimilar to the poetry which is written in accordance with the rule of poetic measure. Theendings and beginnings of the verses, the fawasil of the verses, thematic and ryhtimicalharmony among the Qur'anic passages have great impact on the listeners. Furthermore,everyone, whether fluent Arabic speakers or non-Arabic speakers, can see, feel and appriciatethis impact.

KUR’ÂN’IN FONETİK İ‘CÂZI

Year 2009, Volume: 11 Issue: 20, 49 - 63, 15.06.2009

Abstract

The Quran is unique in its style, phonetics, words structure and many other aspects that neverchanged thoroughout the history. One important dimension of the Quranic ijaz is to addressnot only to minds but also with its special acoustic and musicality to the ears and hearts of thelistener. The structure of the letters, their various other features have a great richness ofphonetics. Vocal harmony indicates how beautiful this harmony too. Complementarity ofsound and discourse is very well known caracteristic in the Quran. The rules of tajwid is keyterm in the recitation of the Quran. If one cannot read the Qur'an in accordance with its rulesof tajwid, many features of the Qur'anic recitation will be lost in this performance. This issimilar to the poetry which is written in accordance with the rule of poetic measure. Theendings and beginnings of the verses, the fawasil of the verses, thematic and ryhtimicalharmony among the Qur'anic passages have great impact on the listeners. Furthermore,everyone, whether fluent Arabic speakers or non-Arabic speakers, can see, feel and appriciatethis impact.

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Details

Primary Language Turkish
Journal Section Articles
Authors

Alican Dağdeviren

Publication Date June 15, 2009
Published in Issue Year 2009 Volume: 11 Issue: 20

Cite

APA Dağdeviren, A. (2009). KUR’ÂN’IN FONETİK İ‘CÂZI. Sakarya Üniversitesi İlahiyat Fakültesi Dergisi, 11(20), 49-63. https://doi.org/10.17335/suifd.13122
AMA Dağdeviren A. KUR’ÂN’IN FONETİK İ‘CÂZI. Sakarya Üniversitesi İlahiyat Fakültesi Dergisi. December 2009;11(20):49-63. doi:10.17335/suifd.13122
Chicago Dağdeviren, Alican. “KUR’ÂN’IN FONETİK İ‘CÂZI”. Sakarya Üniversitesi İlahiyat Fakültesi Dergisi 11, no. 20 (December 2009): 49-63. https://doi.org/10.17335/suifd.13122.
EndNote Dağdeviren A (December 1, 2009) KUR’ÂN’IN FONETİK İ‘CÂZI. Sakarya Üniversitesi İlahiyat Fakültesi Dergisi 11 20 49–63.
IEEE A. Dağdeviren, “KUR’ÂN’IN FONETİK İ‘CÂZI”, Sakarya Üniversitesi İlahiyat Fakültesi Dergisi, vol. 11, no. 20, pp. 49–63, 2009, doi: 10.17335/suifd.13122.
ISNAD Dağdeviren, Alican. “KUR’ÂN’IN FONETİK İ‘CÂZI”. Sakarya Üniversitesi İlahiyat Fakültesi Dergisi 11/20 (December 2009), 49-63. https://doi.org/10.17335/suifd.13122.
JAMA Dağdeviren A. KUR’ÂN’IN FONETİK İ‘CÂZI. Sakarya Üniversitesi İlahiyat Fakültesi Dergisi. 2009;11:49–63.
MLA Dağdeviren, Alican. “KUR’ÂN’IN FONETİK İ‘CÂZI”. Sakarya Üniversitesi İlahiyat Fakültesi Dergisi, vol. 11, no. 20, 2009, pp. 49-63, doi:10.17335/suifd.13122.
Vancouver Dağdeviren A. KUR’ÂN’IN FONETİK İ‘CÂZI. Sakarya Üniversitesi İlahiyat Fakültesi Dergisi. 2009;11(20):49-63.

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