Öz
Kaynakça
- Borggreen Gunhild (2011). Cute and Cool in Contemporary Japanese Visual Arts. Copenhagen Journal of Asian Studies. Vol. 29, no. 1. P. 39–60. http://dx.doi.org/10.22439/cjas.v29i1.4020. Hasegawa Yuko (2002). Post-identity Kawaii: Commerce, Gender and Contemporary Japanese Art. Consuming Bodies: Sex and Contemporary Japanese Art. Ed. by Fran Lloyd. London: Reaktion Books Ltd.P. 127–141. Hikawa Ry?suke (2017) Radiation and Postwar Anime and Tokusatsu Culture. Takashi Murakami: Under the Radiation Falls. Ed. by E.Inozemtseva. Moscow: Garage Museum of Contemporary Art. P. 92-101. (in Russian) / URL: https://garagemca.org/en/materials/1380?id=105 Ishihara Soichiro, Obata Kazuyuki, Kanno Kayoko (2007). Kawaii – How Deep Is the Meaning? Nipponia. Vol. 40. P. 4-9. / URL: http://web-japan.org/nipponia/nipponia40/en/feature/index.html Katasonova E.L. (2013). The Japanese in the real and virtual worlds. Essays on modern Japanese mass culture. Moscow: Eastern Literature. 357 p. (in Russian) Maguro Yuki. (2015) Manga Anatomy. Manga in Japan and Russia: Otaku Subculture, History and Anatomy of Japanese Comics. Ed. by Yulia Magera. Moscow; Ekaterinburg: Comics Factory. P. 297–334. (in Russian) Murakami Takashi (2000). Super Flat. Tokyo: MaDRa Publishing Co. 162 p. (in English and Japanese) Murakami (2007). Ed. by Paul Schimmel. New York: Rizzoli. 328 p. Schimmel Paul (2017). Making Murakami. Murakami. Ed. by Paul Schimmel. New York: Rizzoli. 328 p. P.52–79. Takashi Murakami: Under the Radiation Falls (2018). Ed. by E.Inozemtseva. Moscow: Garage Museum of Contemporary Art. 310 p. (in Russian) Takashi Murakami: The Octopus Eats Its Own Leg (2017). Ed. by Michael Darling. New York: Skira Rizzoli. 286 p. Yomota Inuhiko. (2006). Kawaii-ron (Theory of kawaii). Tokyo: Chikumashob?. 206 p. (in Japanese)
ARTISTIC LANGUAGE OF MASS CULTURE AS ILLUSTRATED BY TAKASHI MURAKAMI (ON MATERIALS FROM "UNDER THE RADIATION FALLS" EXHIBIT
Öz
In this paper I delve into the artistic language of Japanese
mass culture, as represented by Japanese contemporary artist working in the
field of neo pop-art, Takashi Murakami. General traits characterizing the
kawaii aesthetic, influenced in large part by the otaku subculture, are defined
in the research. Main unique features of kawaii as an art style based on manga
stylistic are defined; their traces in Takashi Murakami art are scrutinized.
The artist's works themselves are to undergo an analysis based on the artist's
personal theory of superflatness. A thesis about strong ties between the
artistic language of contemporary art and mass culture, their mutual influences
is proved true.
Anahtar Kelimeler
artistic language kawaii aesthetic mass culture Takashi Murakami
Kaynakça
- Borggreen Gunhild (2011). Cute and Cool in Contemporary Japanese Visual Arts. Copenhagen Journal of Asian Studies. Vol. 29, no. 1. P. 39–60. http://dx.doi.org/10.22439/cjas.v29i1.4020. Hasegawa Yuko (2002). Post-identity Kawaii: Commerce, Gender and Contemporary Japanese Art. Consuming Bodies: Sex and Contemporary Japanese Art. Ed. by Fran Lloyd. London: Reaktion Books Ltd.P. 127–141. Hikawa Ry?suke (2017) Radiation and Postwar Anime and Tokusatsu Culture. Takashi Murakami: Under the Radiation Falls. Ed. by E.Inozemtseva. Moscow: Garage Museum of Contemporary Art. P. 92-101. (in Russian) / URL: https://garagemca.org/en/materials/1380?id=105 Ishihara Soichiro, Obata Kazuyuki, Kanno Kayoko (2007). Kawaii – How Deep Is the Meaning? Nipponia. Vol. 40. P. 4-9. / URL: http://web-japan.org/nipponia/nipponia40/en/feature/index.html Katasonova E.L. (2013). The Japanese in the real and virtual worlds. Essays on modern Japanese mass culture. Moscow: Eastern Literature. 357 p. (in Russian) Maguro Yuki. (2015) Manga Anatomy. Manga in Japan and Russia: Otaku Subculture, History and Anatomy of Japanese Comics. Ed. by Yulia Magera. Moscow; Ekaterinburg: Comics Factory. P. 297–334. (in Russian) Murakami Takashi (2000). Super Flat. Tokyo: MaDRa Publishing Co. 162 p. (in English and Japanese) Murakami (2007). Ed. by Paul Schimmel. New York: Rizzoli. 328 p. Schimmel Paul (2017). Making Murakami. Murakami. Ed. by Paul Schimmel. New York: Rizzoli. 328 p. P.52–79. Takashi Murakami: Under the Radiation Falls (2018). Ed. by E.Inozemtseva. Moscow: Garage Museum of Contemporary Art. 310 p. (in Russian) Takashi Murakami: The Octopus Eats Its Own Leg (2017). Ed. by Michael Darling. New York: Skira Rizzoli. 286 p. Yomota Inuhiko. (2006). Kawaii-ron (Theory of kawaii). Tokyo: Chikumashob?. 206 p. (in Japanese)
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Bölüm | Makaleler |
| Yazarlar | |
| Yayımlanma Tarihi | 31 Ağustos 2018 |
| Gönderilme Tarihi | 6 Haziran 2018 |
| Yayımlandığı Sayı | Yıl 2018 |
Contact: ijasosjournal@hotmail.com
The IJASOS Journal's site and its metadata are licensed under CC BY
Published and Sponsored by OCERINT International © 2015- 2025