Öz
Museums transfer the aesthetic and cultural values of the past to future generations. In this
inter-temporal transfer, they aim to protect and exhibit various fields. Fashion has been an
important phenomenon in life practices from past to present. In this context, fashion forms
the basis of the study. The research focuses on the methods of exhibition designs in fashion
museums. It was conducted using a qualitative research approach, aligned with the definitions
found in the literature related to fashion, museology, communication and exhibition
design. To facilitate the transfer of the past to the future, a model from communication
theories was used as a foundation and a method was created by integrating it with fashion
exhibition practices. Within this framework, the transfer of meaning in fashion museums
in analyzed through display methods, taking into account the nature of the artefacts and
spatial constraints. The study finds that the transfer fiction can be achieved through exhibitions
designed using three-dimensional, two-dimensional and digital methods. These results
highlight the significance of effective exhibition design as a communicative tool within
the scope of interior design.
Anahtar Kelimeler
Fashion museums Exhibition design Interior design Transfer Communication
Kaynakça
- Aspers, P. and Godart, G. (2013). Sociology of Fashion: Order and Change. Annual Review of Sociology, 39(1): 171–192.
- https://doi.org/10.1146/annurev-soc-071811-145526
- Bourse, M. and Yücel, H. (2012). İletişim Bilimlerinin Serüveni. İstanbul, Ayrıntı Yayınları.
- Brooker, G. and Stone, S. (2014). İç Mimarlıkta Yapı Bileşenleri ve Nesneler (Çev: N. Işık). İstanbul: Literatür Yayınları.
- Brooker, G. and Stone, S. (2010). What is Interior Design? Hove: RotoVision.
- Casakin, H. (2005). Design Aided by Visual Displays: A Cognitive Approach. Journal of Architectural and Planning Research, 22(3):250-265.
- Dal Falco, F. and Vassos, S. (2017). Museum Experience Design: A Modern Storytelling Methodology. The Design Journal, 20(1): 3975-3983. https://doi.org/10.1080/14606925.2017.1352900
- Darragh, J. and Synder, J. S. (1993). Museum Design: Planing and Building for Art. New York: Oxford University Press.
- De Fusco, R. (2020). Kitle İletişim Aracı Olarak Mimarlık. Ankara: Arketon Yayınları.
- Dernie, D. (2006). Exhibition Design. London: Laurence King Publishing.
- Evangelista, V. and Ferrari, F. (2018). Exploring the fashion visiting experience: a content analysis about the ‘boncompagni ludovisi museum’. Journal of Tourism, Culture and Territorial Development, 9(9): 67-85.
- https://doi.org/10.6092/issn.2036-5195/8552
- Hilten, V. J. (2017). Fashion nn Display: Exploring Dress Museology, Fashion Museology and New Museology in the Exhibitions Temporary Fashion Museum and Out of Fashion. (Master’s Thesis). Houtlaan: Radboud University.
- Jung, J. and Yim, E. (2018). The Role of Fashion House Museums: Focused on European Luxury Fashion Brands. Fashion & Textile Research Journal, 20(2): 143-155. https://doi.org/10.5805/SFTI.2018.20.2.143
- Kaiser, S. B. (2019). Fashion and Cultural Studies. London: Bloomsbury Visual Arts.
- Locker, P. (2010). Exhibition design. Lausanne: AVA Publishing.
- ANADOLU ÜNİVERSİTESİ SANAT & TASARIM DERGİSİ 19
- Sanat&Tasarım Dergisi,15 (1), 2025:1-20
- Macdonald, S. (2007). Interconnecting: Museum Visiting and Exhibition Design. CoDesign, 3(1): 149-162. https://doi.org/10.1080/15710880701311502
- Macleod, S. (2005). Reshaping Museum Space. London: Routledge.
- Melchior, M. R. (2011). Fashion Museology: Identifying and Contesting Fashion in Museums. Paper presented at Fashion: Exploring Critical Issues Conference, Mansfield College, Oxford, 22-25 September 2011.
- Öden, Y. H. (2022). The Effects of Storyelling in Space on Museum Design. Eurasian Journal of Social and Economic Research, 9(4): 216-227. https://dergipark.org.tr/tr/pub/asead/issue/73282/1172959
- Pallasmaa, J. (2012). The Eyes of the Skin: Architecture and the Senses. Chichester: Wiley.
- Petrov, J. (2012). Cross-Purposes: Museum Display and Material Cultur. CrossCurrents, 62(2), 219–234. https://doi.org/10.1111/j.1939-3881.2012.00231.x
- Porro, R. (2021). Mimarlıkta İçeriğin Beş Görünümü. İstanbul: Arketon Yayınları.
- Sant’Anna, P. (2008). A Moda No Museu. Paper presented at I. Congreso Internacional De Moda, Madrid, Spain, 22-24 October 2008.
- Taşçıoğlu, M. (2013). Bir Görsel İletişim Platformu Olarak Mekân. İstanbul: Yem Yayın.
- Wallenberg, L. (2020). Art, Life, And the Fashion Museum: for A More Solidarian Exhibition Practice. Fashion and Textile, 7(17), 1-16.
- https://doi.org/10.1186/s40691-019-0201-5
- Waquet, D. and Laporte, M. (2011). Moda (Çev: I. Ergüden). Ankara: Dost Kitapevi Yayınları.
- Zevi, B. (2021). Mimarlığı Görebilmek. İstanbul: Arketon.
- ANADOLU ÜNİVERSİTESİ SANAT & TASARIM DERGİSİ 20
- Sanat&Tasarım Dergisi,15 (1), 2025:1-20 Internet References
- http 1. ICOM. (2022, August 22). Museum Definition. Retrieved 7 May 2024 from https://icom.museum/en/resources/standards-guidelines/museum-definition/
- http 2. Borrelli-Persson, L. (2021). “Paris of the North,” a New Exhibition in Stockholm, Shows Parisian Haute Couture’s Nordic Connections. Retrieved 08 January 2024
- https://www.vogue.com/article/paris-of-the-north-nordiska-museum-stockholm-fashion-exhibition
- http 3. Stirmer, H. (2022). La Galerie Dior. Retrieved 08 January 2024 from
- https://secretsofparis.com/sightseeing/museums-monuments/galerie-dior/
- http 4. Exhibiting Fashion. Retrieved 7 May 2024 from
- https://fashionexhibitionmaking.arts.ac.uk/paris-of-the-north
Öz
Müzeler geçmişin estetik ve kültürel değerlerinin gelecek nesillere aktarılması gibi önemli
rolleri üstlenmektedir. Zamanlar arası bu aktarım rollerinde çeşitli alanları koruma ve
sergileme hedefleri bulunmaktadır. Moda, geçmişten günümüze yaşam pratikleri içinde
önemli bir olgu olmuştur. Bu kapsamla moda, çalışmanın temelidir. Çalışma moda müzelerindeki
sergileme tasarımlarında moda değerlerini yeniden canlandırarak iletim sağlayacak
yöntemlerine odaklamaktadır. İç mimarlık disiplininde sergileme tasarımı aktarım
sağlayarak bir ifade gerçekleştirdiği görülmektedir. Çalışma nitel araştırma temelinde
moda, müzecilik, iletişim kümesindeki literatür tanımları ve sergi tasarımına dair çıkarımlar
paralelinde yürütülmüştür. Geçmişin geleceğe aktarımında iletişim kuramlarından bir
model temel alınmış ve moda sergilemeleri ile entegre edilerek bir metot oluşturulmuştur.
Bu akışta eserlerin yapısı, mekân kısıtlamaları sonucunda moda müzelerindeki sergi tasarımlarında
geçmiş ve gelecek aktarımları sergileme yöntemleri ile çözümlenmektedir. Üç
boyutlu, iki boyutlu ve dijital yöntemlerle tasarlanan sergilemeler ile aktarım kurgusunun
gerçekleştirilebileceği bulgulara varılmaktadır. Bu sonuç ile iç mimari kapsamda bir iletişim
sağlayan sergileme tasarımındaki etkili gücün önemi ortaya çıkmaktadır.
Anahtar Kelimeler
Moda müzeleri Sergileme tasarımı İç mimarlık Aktarım İletişim.
Kaynakça
- Aspers, P. and Godart, G. (2013). Sociology of Fashion: Order and Change. Annual Review of Sociology, 39(1): 171–192.
- https://doi.org/10.1146/annurev-soc-071811-145526
- Bourse, M. and Yücel, H. (2012). İletişim Bilimlerinin Serüveni. İstanbul, Ayrıntı Yayınları.
- Brooker, G. and Stone, S. (2014). İç Mimarlıkta Yapı Bileşenleri ve Nesneler (Çev: N. Işık). İstanbul: Literatür Yayınları.
- Brooker, G. and Stone, S. (2010). What is Interior Design? Hove: RotoVision.
- Casakin, H. (2005). Design Aided by Visual Displays: A Cognitive Approach. Journal of Architectural and Planning Research, 22(3):250-265.
- Dal Falco, F. and Vassos, S. (2017). Museum Experience Design: A Modern Storytelling Methodology. The Design Journal, 20(1): 3975-3983. https://doi.org/10.1080/14606925.2017.1352900
- Darragh, J. and Synder, J. S. (1993). Museum Design: Planing and Building for Art. New York: Oxford University Press.
- De Fusco, R. (2020). Kitle İletişim Aracı Olarak Mimarlık. Ankara: Arketon Yayınları.
- Dernie, D. (2006). Exhibition Design. London: Laurence King Publishing.
- Evangelista, V. and Ferrari, F. (2018). Exploring the fashion visiting experience: a content analysis about the ‘boncompagni ludovisi museum’. Journal of Tourism, Culture and Territorial Development, 9(9): 67-85.
- https://doi.org/10.6092/issn.2036-5195/8552
- Hilten, V. J. (2017). Fashion nn Display: Exploring Dress Museology, Fashion Museology and New Museology in the Exhibitions Temporary Fashion Museum and Out of Fashion. (Master’s Thesis). Houtlaan: Radboud University.
- Jung, J. and Yim, E. (2018). The Role of Fashion House Museums: Focused on European Luxury Fashion Brands. Fashion & Textile Research Journal, 20(2): 143-155. https://doi.org/10.5805/SFTI.2018.20.2.143
- Kaiser, S. B. (2019). Fashion and Cultural Studies. London: Bloomsbury Visual Arts.
- Locker, P. (2010). Exhibition design. Lausanne: AVA Publishing.
- ANADOLU ÜNİVERSİTESİ SANAT & TASARIM DERGİSİ 19
- Sanat&Tasarım Dergisi,15 (1), 2025:1-20
- Macdonald, S. (2007). Interconnecting: Museum Visiting and Exhibition Design. CoDesign, 3(1): 149-162. https://doi.org/10.1080/15710880701311502
- Macleod, S. (2005). Reshaping Museum Space. London: Routledge.
- Melchior, M. R. (2011). Fashion Museology: Identifying and Contesting Fashion in Museums. Paper presented at Fashion: Exploring Critical Issues Conference, Mansfield College, Oxford, 22-25 September 2011.
- Öden, Y. H. (2022). The Effects of Storyelling in Space on Museum Design. Eurasian Journal of Social and Economic Research, 9(4): 216-227. https://dergipark.org.tr/tr/pub/asead/issue/73282/1172959
- Pallasmaa, J. (2012). The Eyes of the Skin: Architecture and the Senses. Chichester: Wiley.
- Petrov, J. (2012). Cross-Purposes: Museum Display and Material Cultur. CrossCurrents, 62(2), 219–234. https://doi.org/10.1111/j.1939-3881.2012.00231.x
- Porro, R. (2021). Mimarlıkta İçeriğin Beş Görünümü. İstanbul: Arketon Yayınları.
- Sant’Anna, P. (2008). A Moda No Museu. Paper presented at I. Congreso Internacional De Moda, Madrid, Spain, 22-24 October 2008.
- Taşçıoğlu, M. (2013). Bir Görsel İletişim Platformu Olarak Mekân. İstanbul: Yem Yayın.
- Wallenberg, L. (2020). Art, Life, And the Fashion Museum: for A More Solidarian Exhibition Practice. Fashion and Textile, 7(17), 1-16.
- https://doi.org/10.1186/s40691-019-0201-5
- Waquet, D. and Laporte, M. (2011). Moda (Çev: I. Ergüden). Ankara: Dost Kitapevi Yayınları.
- Zevi, B. (2021). Mimarlığı Görebilmek. İstanbul: Arketon.
- ANADOLU ÜNİVERSİTESİ SANAT & TASARIM DERGİSİ 20
- Sanat&Tasarım Dergisi,15 (1), 2025:1-20 Internet References
- http 1. ICOM. (2022, August 22). Museum Definition. Retrieved 7 May 2024 from https://icom.museum/en/resources/standards-guidelines/museum-definition/
- http 2. Borrelli-Persson, L. (2021). “Paris of the North,” a New Exhibition in Stockholm, Shows Parisian Haute Couture’s Nordic Connections. Retrieved 08 January 2024
- https://www.vogue.com/article/paris-of-the-north-nordiska-museum-stockholm-fashion-exhibition
- http 3. Stirmer, H. (2022). La Galerie Dior. Retrieved 08 January 2024 from
- https://secretsofparis.com/sightseeing/museums-monuments/galerie-dior/
- http 4. Exhibiting Fashion. Retrieved 7 May 2024 from
- https://fashionexhibitionmaking.arts.ac.uk/paris-of-the-north
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Tekstil ve Moda Tasarımı |
| Bölüm | Makaleler |
| Yazarlar | |
| Yayımlanma Tarihi | 20 Haziran 2025 |
| Gönderilme Tarihi | 10 Ocak 2024 |
| Kabul Tarihi | 31 Temmuz 2024 |
| Yayımlandığı Sayı | Yıl 2025 Cilt: 15 Sayı: 1 |
